American Painter, 1864-1926 American painter and sculptor. In 1880 he left his upper-class home in St Louis for Montana Territory. He worked briefly on a sheep ranch, spent two years as a hunter's and trapper's assistant and then became a cowboy. During his considerable spare daytime hours he painted, sketched and modelled small animal figures in clay (e.g. Antelope, 1915; Fort Worth, TX, Amon Carter Mus.). Although he painted a few exceptional oils and watercolours prior to 1900, the vast majority of his best work was done in the last two decades of his life. Typically the subject-matter centres around cowboy life (e.g. Wagon Boss, 1909; Tulsa, OK, Gilcrease Inst. Amer. Hist. & A.) and the Plains Indians, for whom he had great respect. The luminous Piegans (1918; Denver, CO, Mus. W. A.), with its depiction of the Plains Indians, is a reminder of the vastness of the American West. Russell's sense of humour and empathy for his subject-matter radiates from his paintings as pleasingly as do the clear colours of the high country. His bronze sculptures (e.g. Buffalo Hunt, 1905; Denver, CO, Mus. W. A.) depict the same dramatic and tension-packed themes as his paintings.  Related Paintings of Charles M Russell :. | Self-Portrait | Bringing Home the Spoils | Hunting Party | The Round Up | The young faggot gatherer |
Related Artists:
Samuel Bell Waugh
American, 1814-1885
Gustaf Fjaestad
Swedish 1868-1948 Swedish painter, printmaker and designer. He trained at the Royal Academy of Arts in Stockholm in 1891-2. Subsequently he studied with Bruno Liljefors and Carl Larsson, assisting them with such decorative schemes as Larsson's fresco at the Nationalmuseum, Stockholm (1896). In 1897 he moved to the Arvika district of V?rmland, where he worked together with his wife, Maja (1873-1961), as painter, craftsman and cabinetmaker, and gathered around him a circle of artists who became known as the Racken group. He first achieved public recognition at the Stockholm Artists Union exhibition in 1898 with some of his snow landscapes, which were an immediate popular success and were often reproduced. He had his first one-man exhibition in Stockholm in 1908,
Kiprensky, Orest
Russian Painter, 1782-1836 Russian painter and draughtsman. The leading Russian portrait painter of the Romantic period, he was the illegitimate son of the landowner A. D'yakonov and was adopted by his serf, Adam Shval'b and granted his freedom at birth. His surname is unconnected with that of either his real or his adoptive father, and its origin is uncertain. In 1798 he was sent to the St Petersburg Academy of Arts, eventually studying history painting under Gabriel-Francois Doyen and Grigory Ugryumov. In 1805 he received an important gold medal for his painting Dmitry Donskoy on the Field of Kulikovo (St Petersburg, Rus. Mus.) and won the right to travel to Italy on a scholarship. He did not, however, do so immediately, because of the tense political situation in Europe. Kiprensky's history painting was in keeping with the patriotic mood of Russian society during the years of the war against Napoleon.